Less than three months until TMNT: The Ultimate Visual History Revised and Expanded edition hits stores! It’s about twice as long as the first edition, with revisions to the original text, chapters covering all the comics, movies, and cartoons released in the past ten years, plus, by popular demand, an in-depth look at TMNT video games.
You can pre-order here! More pre-orders means better sales means more books like this from me (and others) in the future.
Great art by Kevin Eastman! Reminds me of the TMNT roleplaying game books from the 1980s. So great to see Kevin so enthusiastic about the Turtles 40 years into their history!
I’ll be signing copies (maybe with Kevin!) at the San Diego Comic-Con in July, and will have a few signed and sketched copies available through mail order this summer. Stay tuned for details.
If you’d like to see me at a convention or comic shop near you, please let me know! I’m always up for travel.
Cowabunga! I’m wrapping up the text for the revised and expanded edition of Teenage Mutant Ninja Turtles: The Ultimate Visual History! The new book hits stores in May 2024, and I’m putting together a schedule of events and conventions now including the San Diego Comic-Con and New York Comic Con where I’ll be on hand with TMNT creative talent and actors to promote the book!
The new edition includes another ten years’ worth of new TMNT comics, cartoons, and movies, revisions to the earlier text based on notes from Eastman and Laird, plus, by popular demand, a chapter on TMNT video games. Can’t wait for everyone to see this!
See you at Comic-Con! I’ll be wandering around on Preview Night, but will mostly be stationed at the Cartoon Art Museum’s booth, #1634 on the convention floor! I’m moderating two panels, the first featuring Rina Ayuyang, Jeffrey Brown, Simon Hanselmann, Josh Pettinger, Thien Pham, and Jeff Smith, where we’ll discuss graphic novels and the creative process.
On Sunday morning, it’s The Best and Worst of Making Comics with Ben Templesmith, Ron Turner, Amy Chu, John Romita Jr., and Joe Quesada!
I’ll draw sketches for you at the Cartoon Art Museum booth in exchange for donations of $15 and higher, and will draw them at home, too, same rates (shipping not included). Click this link for details, and place orders for at-home sketches from Wednesday onward.
Thanks! Hope everyone’s been having a great summer!
The latest issue of The Comics Journal includes an illustrated article on Sharon Smith Kane, one of the youngest (probably the youngest) syndicated cartoonist in American history. Her single-panel cartoon Buttons an’ Beaux appeared in newspapers for three years in the early 1950s. Kane signed her syndication contract while she was still a senior in high school, and drew Buttons an’ Beaux to put herself through college!
No better time than now to show your support for the things you love, including cartoons! The Cartoon Art Museum’s Annual Fund Drive is underway, and every donation we receive through early 2023 will be doubled thanks to a generous matching grant!
And if you want to get a little something for yourself this holiday season, the Cartoon Art Museum bookstore has signed and sketched copies of the updated edition of Batman: The Definitive History of The Dark Knight, DC: Collecting The Multiverse, Sideshow: Fine Art Prints vol. 2, and Sideshow: Capturing Archetypes vol. 4! Stop by today!
In stores December 6! Two new chapters this time around, bringing readers up to speed on developments in the Batman comics since 2018 and an incredible behind-the-scenes look at THE BATMAN movie. Don’t miss it!
If anybody ever tells you, “don’t meet your heroes,” don’t listen to them.
There were so many great, fun, unforgettable, “I can’t believe I’m getting paid for this!” moments that occurred while I was writing my Batman history book, and near the very, very top was getting to spend an hour on the phone with Kevin Conroy, who’d voiced Batman and Bruce Wayne on Batman: The Animated Series, as well as Justice League and any number of additional animated projects and video games (and one very memorable live action performance, too). We talked about his audition, about his approach to the role, about how much his performance as Batman had meant to so many people, and
When we were wrapping up the manuscript, my editor, Chris Prince, asked who I’d like to write the book’s introduction, and I think I blurted out “IT’S GOT TO BE KEVIN CONROY” before he’d even finished the question. We asked Kevin, and he graciously and quickly agreed, and mentioned that no one had asked him to write anything before. About a week later, he sent us a brief essay looking back at his acting career and his life as Batman. Poignant, a little self-deprecating, funny, but, above all, sincere. A perfect introduction from a perfect gentleman.
Thanks for everything, Kevin.
Introduction to Batman: The Definitive History of The Dark Knight in Comics, Film, and Beyond, by Kevin Conroy, 2019
I’ve always been fond of the phrase “Life is what happens to you while you’re busy making other plans.” It certainly applies to my life. I had trained to be a stage actor, developing the skills to interpret the elevated texts of Shakespeare, the heroic passions of the Greek plays, the gritty realism of contemporary theater. Attending drama school at the age of seventeen, I was certain of my career direction. Although I am fortunate enough to have been able to support myself as an actor my entire life, I learned early on that the theater just doesn’t pay the bills, and the theater I’d trained for was somewhat a relic of a bygone time. Actors tend to make their living in film and television and venture to the theater at a financial sacrifice to assuage the itch to be on stage in front of a live crowd. There’s really nothing like it.
On one of my excursions to LA from New York, my agent sent me to audition for this new project being done at Warner Bros.: Batman. New? I thought. Batman had been around for years. I was so naive to the Batman liturgy that I had no idea how groundbreaking this series was going to be. On meeting Bruce Timm, Eric Radomski, and Andrea Romano, I explained I was only familiar with the Adam West Batman. Bruce was horrified: “No, no, no, we love Adam, but that’s not at all what we’re doing. Don’t you know the Batman legacy? His parents were killed in front of him as a child, and he lives to avenge their deaths and cure the world of evil. It’s very noir and dark. What kind of childhood did you have?” I didn’t want to get into how the nuns at St. Bridget’s didn’t approve of comics and said, “I just haven’t really been exposed to comic books. Look, let me use my imagination.” I improvised on the spot, imagining myself in the trauma of that child—with his world collapsed upon him, what kind of man would he become? How could he mask his pain? How could he fight the hurt and rise above it? My voice went to a very broody, husky, pained place. I honestly think my naivete as to whom I was auditioning for and the importance of the Batman legacy allowed me to be much freer and more experimental than I would have been otherwise. I felt totally at ease in the isolation of that sound booth to improvise. I booked the job.
As I grew into the role over time, I was amazed at how strange a coincidence it was that of all the superheroes, the one I would portray was this one. I, an actor familiar with classic stage tragedy, was playing the one superhero who has no superpowers and is just driven by the raw pain of his childhood to right the world. He is a true hero in the tradition of the classics but with the raw intensity of contemporary drama. Like a modern Orestes. I also learned that Batman is his true self—what he has become to deal with his pain. That means that Bruce Wayne is the performance, the three-piece suit of armor he puts on to face the world of society.
Recently, when I was appearing at a comic convention in Chicago, I was approached by a woman. She reached out to me and said, “I grew up in the projects on the South Side. My parents worked long hours. I was alone every afternoon. Most of the kids I grew up with got into trouble and are either dead or in jail. But I had you. Batman kept me safe, taught me what was right, kept me out of trouble. You really touched my life.” I hugged her tightly and thanked her for making me realize that life had led me to do something more than just entertain. You see, I’d been busy making other plans.
On Friday, September 30, I attended a special presentation at the Charles M. Schulz Museum in Santa Rosa as the United States Post Office unveiled a new set of postage stamps commemorating the centennial of Charles Schulz’s birth. I had a great time, and had a lot of fun catching up with old friends at the museum.
So what was I doing there, apart from trying to hang out with Snoopy? Earlier this year, Patrick McGeehan of the Post Office reached out to me–author of The Complete Peanuts Family Album–to ask if I’d serve as a consultant on the project. This entailed a little bit of research, a little bit of editing, acting as a sounding board, and having long philosophical conversations about Peanuts. Right in my wheelhouse.
My contribution to the project was fairly small, mostly chiming in on the biographical information included in the main stamp booklet and in the strip collection, Nothing Echoes Like an Empty Mailbox, but it was a fun, really interesting experience. Anything for Charlie Brown, right?
Nothing Echoes Like an Empty Mailbox, book and commemorative card
My wife, Shaenon K. Garrity, is a Special Guest at the 2022 San Diego Comic-Con! She was invited for the 2020 convention to celebrate the 20th anniversary of her classic webcomic Narbonic, but fate had other plans. Better late than never!
I’ll be there, too, representing the Cartoon Art Museum! See me at booth #1634! I’ll be signing and drawing commissions to raise funds for the museum’s exhibitions and public programs. I won’t have any books for sale at my booth, but Insight Editions should have you covered if you want to buy my books at the convention.
I’ll also be doing commissions for the museum when I get back home, starting next Monday! I’ll post the link once it’s live, but for donations of $15 and up (give generously if you want to request multiple characters or full color artwork), I’ll draw Batman, TMNT, Harley Quinn, ’80s cartoons…pretty much anything.
andrewfarago 